The National: The Book of Gaza Focuses on the Reality of Daily Life

Editor of the Book of Gaza, author Atef Abu Saif. Pic: courtesy Comma Press

Editor of the Book of Gaza, author Atef Abu Saif. Pic: courtesy Comma Press

‘In the 1980s and 1990s Gaza was known as ‘the exporter of oranges and short stories’,’ says renowned Palestinian author, Atef Abu Saif, wistfully.

Saif is also the editor of anthology, The Book of Gaza (out today/June 2), the latest in Comma Press’ ‘A City in Short Fiction’ series. The anthology offers intimate perspectives of Gaza through stories by writers living in a city where 1.8m people are barricaded into a 26mile sliver of coast overlooking the Mediterranean.

It’s often described as the ‘world’s biggest prison’ and simply placing Gaza on par with cities in Comma’s series (Rio, Istanbul, Tokyo, Manchester), challenges this stereotype. ‘Gaza is seen as a place of siege, killing and bombing but people go about their lives the same as anywhere in the world – we have cafes, restaurants and universities,’ explains Saif (41), via a crackly phone line in Gaza.

Saif’s passion is literature – he’s written four novels and loves James Joyce and Thomas Hardy – but he is a Professor of Political Science at Gaza’s Al-Azhar University. Unsurprisingly, perhaps, Saif felt a huge responsibility in editing The Book of Gaza, and ensuring his home, its people and their stories were represented as well as possible.

‘We wanted to include voices from three generations of the short story – it flourished during the first occupation in the 1960s when printed material was censored so writers wrote short, manuscripts by hand as they were easier to smuggle. In the 1980s and 1990s a second generation of writers continued the tradition and since the 2000s we have a third generation,’ says Saif.

The ten writers, including five women, sketch tantalising glimpses of everyday life, and how it’s shaped by conditions and forces far removed from Gaza: Talal Abu Shawish’s Red Lights people-watches – teenagers escaping prying eyes, ragged child hawkers - from the window of a taxi as the driver mutters frustration at fuel shortages caused by the blockade.

Award-winning journalist and fiction writer Asmaa Al Ghul’s You And I captures the intensity and minutiae of hemmed-in street life near a school, through a person with a counting obsession (raindrops, pylons, steps). ‘The world knows of Gaza as suffering and conflict but we are people too, so it’s very important to get across our lived reality - these stories peel back the layers and reveal what the local tells us about the global’, she explains via another crackly phone line, this time to Cairo.

The founder of Manchester’s Comma Press, Ra Page commissioned The Book of Gaza after his father, a fervent Palestine campaigner, passed away last year. Despite the writers’ varied ages and styles, Page feels a sense of claustrophobia is all pervading: ‘The abiding impression is enclosure and not being able to breath or relax or be yourself,’ he explains.

Saif agrees he’s felt ‘trapped’ since he was born in Jabalia refugee camp in 1973, even today he’s due in London in three days but doesn’t know whether he will get a visa or be able to leave Gaza. Yet in giving voice to these stories and translating and sharing them, Saif and his fellow writers, are puncturing the claustrophobia – it’s a symbolic act of resistance saying we are here and this is how we speak back to power imposed on us.

Saif believes this is why the pen is mightier than the sword: ‘Why does literature matter? Why is it important?’ he asks passionately. ‘A prisoner in a refugee camp looking out to sea in Gaza gave me the answer to this eternal question - he said literature gave him hope,’ he says.

For everyone involved in The Book of Gaza, the hope is one-day Gaza will again be known for its oranges and short stories.